Exhibitions / 09

What makes a journey possible

Bags, wheels, work and the terms of access.

Original interpretive vector study. Not a reproduction of the museum object.

Before the handle is lifted

Noken returns the portable object to fibre preparation and making. The rickshaw returns an image to a vehicle and its workers. Start with the work that allows a journey and its practical costs. These type records do not supply the personal histories still missing from the archive.

The workplace crosses the doorway

SEWA places organisation outside a conventional factory. Home, street and market can all be workplaces. This makes a bicycle or a bag more than a consumer purchase, while still leaving open the precise uses of any particular specimen. Ask what a catalogue’s division between domestic and industrial makes harder to see.

Access has terms

End at two institutions: a bank lending money and a cooperative shop owned by members. Access to credit and shared ownership are different relations. Read both through obligations, risk and the possibility of contesting a decision. We compare mechanisms without using a prize or an institutional label as proof that every participant benefits equally.

Things in this room

Noken, a knotted carrying bag ↗

The labour inside the net

Painted rickshaws of Dhaka ↗

A moving surface, a working body

Flying Pigeon bicycle ↗

A machine for a slower morning

SEWA and the organisation of informal work ↗

A workplace without a factory gate

Grameen and access to small loans ↗

Credit is a promise with an obligation

The Toad Lane cooperative shop ↗

Buying together, owning together

Enter exhibition ↗